Another Cup painting from the vessel series: "Life's enchanted cup sparkles near the brim."
Byron This is 20 x 30 oil
Figurative Art
Including Thursday Sketch Group Art from the Atlanta Artists Center
Wednesday, May 9, 2012
Thursday, April 12, 2012
Faces I Know
I've always loved to make up faces. It's something I've done since I was little. I watched by mother doodling faces while she talked on the phone. So here are some in oil, and one from last post on the Atlanta Artists Center home page. Very happy to get first prize in the April Dogwood show there!
Saturday, April 7, 2012
Happy Easter and Passover
Here's my bunny from the High Museum Garden tour last spring. The painting is now living at the beautiful home (and garden) of the bunny in Buckhead.
A face: (A Closer Look, Oil)
And some more cups!
"My Cup Runneth Over", oil
and, "I Promise You a Rose Garden"
A face: (A Closer Look, Oil)
And some more cups!
"My Cup Runneth Over", oil
and, "I Promise You a Rose Garden"
Thursday, March 8, 2012
Uglow and The Diagonal
The Diagonal Homage to Uglow by Nancy Blum
I recently have found (online see Painting Perceptions) the art of Euan Uglow. He's probably well know to many artists -- especially British, and has influenced the work of figurative and still life artists. He used devices to measure and order the canvas and felt it was important to leave those lines and angles in the painting. Models posed for long periods of time, and even the fruit or vegetables had to stay in place to accurately be painted. The changes in the fruit would be painted right over the original painting.
My small painting, on the other hand, was painted just over a period of a couple of days. This was long enough for my beautiful carrots to undergo quite an aging process. Not having a model on hand, I had to make do with the carrots and a toy chair I came across. The carrots looked quite like legs to me...
So here is Uglow's Diagonal:
I recently have found (online see Painting Perceptions) the art of Euan Uglow. He's probably well know to many artists -- especially British, and has influenced the work of figurative and still life artists. He used devices to measure and order the canvas and felt it was important to leave those lines and angles in the painting. Models posed for long periods of time, and even the fruit or vegetables had to stay in place to accurately be painted. The changes in the fruit would be painted right over the original painting.
My small painting, on the other hand, was painted just over a period of a couple of days. This was long enough for my beautiful carrots to undergo quite an aging process. Not having a model on hand, I had to make do with the carrots and a toy chair I came across. The carrots looked quite like legs to me...
So here is Uglow's Diagonal:
Friday, March 2, 2012
Thursday, February 23, 2012
Less is More
From Arcadia Gallery (NY)'s blog Less is More
two wonderful artists,
Here are two recent paintings inspired by a model session:
two wonderful artists,
Malcolm T. Liepke
and
Aron Wiesenfeld
Here are two recent paintings inspired by a model session:
Friday, February 17, 2012
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